Picture Perfect Printing

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LEARN MY SECRETS to creating Picture Perfect Prints no matter if you are printing from home or sending your files to an outside Lab!

Course Content

01 - Things to Do First

101 – Correctly Setting Up Editing Environment

102 – Our Eyes Are Not Perfect

02 - Color Management

201 – Intro Into Color Management and Color Theory

202 – Calibrating Your Monitor

203 – ICC Profiles

204 – Choosing a Working RGB Color Space

205 – Setting Up Color Space for Your Camera

206 – Color Management Setup in Photoshop

207 – Color Management Setup in Lightroom Classic

208 – Color Management Setup in ON1, Capture One Pro, DxO Photolab, and Luminar

03 - Getting Files Ready to Print

301 – Understanding Resolution

302 – Determining How Large You Can Print

303 – To View at 100 or Not to View at 100

304 – Understanding Rendering Intent

305 – Image Prep Workflow

306 – Cropping

307 – What to Consider When Choosing a Paper

308 – Resizing and Sharpening 101

309 – Resizing in Photoshop

310 – ON1 Resize AI

311 – Topaz Gigapixel AI

312 – Sharpening with Nik Collection Sharpener Pro 3

313 – Compare Results Between Photoshop, ON1, and Topaz

314 – Soft Proofing 101

315 – Soft Proofing in Photoshop

316 – Soft Proofing in Lightroom Classic

317 – Soft Proofing in ON1 Photo RAW

318 – Soft Proofing in Capture One Pro

04 - Home Printing

401 – Choosing Your Home Printer

402 – Installing Printer Software

403 – Do I Need a RIP

404 – Doing Test Prints

405 – Photoshop Printing

406 – Lightroom Classic Printing

407 – Capture One Pro Printing

408 – Luminar Neo Printing

409 – ON1 Photo RAW Printing

410 – DxO Photolab Printing

411 – Home Printing Conclusion

05 - Lab Printing

501 – Advantages of Working With Outside Lab

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