Day to Night
Follow along as I demonstrate how to change a photo captured during the daytime into a nighttime image using Adobe Photoshop.
In this video, I will explain:
- Color theory for how to make realistic night photos out of your daytime images.
- How to use the Photoshop sky replacement tool to choose realistic skies for your scene.
- Using paid and free tools to make distinct and specific selections within Photoshop.
- Many more intermediate and advanced tips to create eye-catching images!
You will need a copy of Adobe Photoshop to follow along with this instructional video. Greater than 2023 version is preferred, but not required.
Course Content
Student reviews
Written by students who have finished this course.
I felt this tutorial was too advanced for me. I will have to review this video several times before I begin to understand what was being accomplished. While viewing the video online, it often went out of focus and I couldn’t clearly see what was being done. I was not able to see the menus being used because they were too small and unclear. When I downloaded the video to my hard drive and reviewed it again, it was very clear and I could see what was being done. All in all, this video was informative, but I have to get a better grasp of Photoshop before I can attempt any changes to my photos.
Not really a tutorial, more a sky replacement demo, with very little “day to night.”
The presenter does a fair job of creating two different day-to-night conversions, but one “day” image is during blue hour (which is almost night already) and the other is at sunset (again, almost night). So there’s not a lot of editing necessary to pull off adding stars to the scene. I would have really liked to see more of a daylight image used as a starting point. The instructor doesn’t strike me as being terribly experienced in photo editing, and makes creating these composites much more difficult than he needs to. For example, using an inverted sky mask to adjust foreground colors to match the sky, when the simpler solution is to just move the color layer under the sky folder. Also, he uses luminosity masks for editing some areas of the image, but uses much harder methods when masking in a new sky. For the central tree on the second image, a luminosity mask would have been the easiest way to blend that in with the sky. Either that, or making the sky’s blending mode Darken, which would have blended with the tree totally seamlessly. I know there are a ton of ways of doing the same thing in Photoshop; this is all just my opinion. But sometimes it’s nice to see how others edit their photos, and that’s kind of how I viewed this course: nice to look over someone’s shoulder, but nothing really new to learn.
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Interesting. More detail on the use of the TK7 app selection technique would have been nice; otherwise, good.